Episode 1: Lab Life

Today the borders between the arts and sciences are becoming more porous. Some artists and designers are even leaving behind their studios for laboratories where they are collaborating with scientists. In this episode we venture into the mysterious borderland between these two worlds, encountering the techniques used by crystallographers to shed light on the invisible structures of matter – techniques which have inspired designers and artists for decades.

In this episode Emily Candela visits the X-ray crystallographer Stephen Curry at his Imperial College lab, and speaks with the glass artist Shelley James – one of those artists who has entered the lab – about her collaboration with King's College London X-ray crystallographer Brian Sutton. See more of the works that have come out of their collaboration on the ATOMIC radio website.

Shelley James’ work will be on show at the summer 2014 Jerwood Makers exhibition, opening on the 11th of July.

Duration: 28m 36s
Broadcast: Resonance 104.4 FM May 23, 2014

Download the programme as an mp3 file (26.1 MB) here

Episode 2: Atomic Fiction

In this episode we look in on the love affair between the science of atoms and fiction – from crystallographers' most inventive models of the invisible sub-microscopic world to the atomic dramas chronicled in artist Tacita Dean's film The Structure of Ice. We hear from Science Museum curator Boris Jardin, an expert not only on crystallography models but also on the relationship between art and science, and Emily Candela reflects on the place of imaginative speculation in science and the arts with Alexandra Daisy Ginsberg, an artist and designer who makes a career of walking the line between science and fiction.

Duration: 29m 2s
Broadcast: Resonance 104.4 FM May 30, 2014

Download the programme as an mp3 file (26.5 MB) here

Episode 3: To Break Into Pieces

X-ray crystallographers make the invisible structures of atoms in matter visible. But in order to do so, they must transform their subject matter into a nearly indecipherable code – this is the process of X-ray diffraction. Diffraction, from the Latin for ‘to break into pieces’, is central to a crystallographer’s process of translating from the invisible to the visible. To access the internal structure of a crystal, crystallographers shoot a beam of X-rays through it, and when they hit the atoms inside, these X-rays diffract: they split apart and spread out before reaching a photographic detector on the other side.

This episode explores the ways in which breaking something into pieces can help to understand it, from the story of crystallographer Rosalind Franklin’s X-ray diffraction photograph that revealed the DNA double helix, to artist and academic Lina Hakim on what breaking toys apart has in common with crystallography, and the work of composer Margaret Schedel who is experimenting with new ways for scientists to understand X-ray data more deeply – by using their ears.

When X-ray crystallographers pass a beam of X-rays through a crystal, these X-rays leave a pattern on the other side, creating a diffraction photograph like this one. In this episode, you’ll hear sound designer Sam Conran translation of this diffraction photograph – as well as a diffraction photo of quasicrystals – into sound.

Duration: 29m 3s
Broadcast: Resonance 104.4 FM June 6, 2014

Download the programme as an mp3 file here

Episode 4: A 'Women's Science'?

X-ray crystallography has long had a reputation for being a scientific field with a significant number of female practitioners, especially in the first half of the twentieth century when it was rare to find women in any scientific discipline. This episode looks at how ideas of 'women's work' did – and did not – affect the lives of crystallography’s pioneering female scientists, with the help of our guest this week, science writer Georgina Ferry, whose writing is re-framing the issue of women in crystallography.

We take a peek into the life of X-ray crystallographer Dorothy Hodgkin, who in 1964 became the only British woman ever to win a science Nobel Prize. Then we spotlight the work, across science and design, of the X-ray crystallographer Helen Megaw (pictured) who spearheaded the Festival Pattern Group, which created spectacular patterns for household goods based on crystal diagrams all the way back in the 1950s.

Duration: 29m 34s
Broadcast: Resonance 104.4 FM June 13, 2014

Download the programme as an mp3 file here

Episode 5: Inside the Myoglobin of a Whale

This episode is broadcast from inside a molecule of a sperm whale’s myoglobin, a protein in muscle tissue (to find out what we mean by that, you’ll have to listen to this episode!). 

We'll learn about dramatically magnified molecules – specifically,  about molecular forms that have been translated into architectures that dwarf the human body. We’ll hear from cultural historian Celeste Olalquiaga on the ruin of a helical mall in Caracas, Venezuela, and the historian of science Soraya de Chadarevian, who will illuminate the fantastical molecular forms broadcast on television during the Cold War.

For this week’s show we’ve also created our own molecular architecture – one perceivable only through sound. It’s a virtual reverb space build by ATOMIC radio sound designer Sam Conran, inspired by a model of a molecule of a sperm whale’s myoglobin, a protein found in the whale’s muscle tissue. Inside this myoglobin molecule we’ll hear a new radio play written just for this molecular sound space by the writer Daniel Marrone, performed by Janina Lange and Edwina Attlee.

Find out more about myoglobin, the first protein structure discovered by X-ray crystallographers, here and at the Protein Data Bank, an enormous archive of the atomic structures of every protein scientists have mapped that was also a vital source for the sound space we made for this episode.

Duration: 28m 6s
Broadcast: Resonance 104.4 FM June 20, 2014

Download the programme as an mp3 file here

Episode 6: A Dark Art

X-ray crystallography has the power to reveal the most fundamental structures of matter, but there is a lot that the science can’t see. This episode explores the ways in which crystallography – and much art – traffics in shadows and blind spots. We feature a sculpture partially composed of light by the artist Conrad Shawcross and and hear from the artist about the crystallographer who inspired his piece.

And in honour of X-ray crystallographers’ explorations of the structures of nature, we close the ATOMIC radioseries by discerning some structures for ourselves. The journalist and founder of super/collider, Chris Hatherill joins Emily in the studio to share his five favourite structures from nature. Chris shines new light on deceptively simple structures like the snowflake and takes us to the cutting edge of current scientific mysteries.

Duration: 29m 59s
Broadcast: Resonance 104.4 FM June 27, 2014

Download the programme as an mp3 file here